Slim Harpo’s Southern-Fried March, “Folsom Prison Blues”

Patients, the doctors and nursemaids here at the asylum know you are well-versed in Johnny Cash’s classic Sun Records penitentiary ballad, “Folsom Prison Blues,” but today we wanted to usher in Slim Harpo’s hip shakin’ treatment of the classic cut.

Recorded in 1969, a year prior to The Man in Black’s revival at Folsom Prison, Slim’s version handles Cash’s take on the big house with flawless command. You don’t get the infectious boom-chick-a-boom from the Cash treatment, but this Bob Wilson-produced reworking delivers a dose of rousing stovepipe soul; a rave-up, complete with the Bayou state bluesman’s sly nasal drawl, creeping slide assault and horny squalls of Slim’s trademark swamp groove. Sadly, this Excello single was pulled from Harpo’s final recording session – he died of a massive heart attack less than a year later.

“Folsom Prison Blues”
Written by: John R. Cash

I hear the train a comin'
rollin' 'round the bend,
ain't seen the sunshine,
Since, I don't know when,
I'm stuck in Folsom Prison,
And time keeps draggin' on,
And the train keeps a-rollin',
On down to San Antone.

When I was a baby,
My Mama told me, "Son,
Always be a good boy,
Don't ever play with guns,"
But I shot a man in Reno,
Just to watch him die,
When I hear that train comin’,
I hang my head and cry.

I bet there's rich folks eatin',
In that fancy dining car,
They're probably drinkin' whiskey,
And smokin' big cigars,
But I know I had it comin',
I know I can't be free,
But those people keep a-movin',
And that's what tortures me.

Well, if they freed me from this prison,
If that railroad train was mine,
I'd move out over a little,
Farther down the line,
Far from Folsom Prison,
That's where I want to stay,
And I'd let that lonesome whistle,
Blow my Blues away.


Take Up Thy Rock 'N Roll Stethoscope and Walk,



Enjoy this single cc of Slim
MP3: Slim Harpo – “Folsom Prison Blues”

MORE PRESCRIPTIONS
Locomotive Boogie: Justin Townes Earle, “Harlem River Blues”
Chuck Berry’s Motorvatin’ Pursuit of “Nadine”
Delta Spirit’s Kerosene Blaze, “Bushwick Blues”
Cookin’ with Captain Beefheart and His Magic Band: “Sure 'Nuff 'n Yes I Do" – One Fine Cut
Sing Along with Pokey LaFarge and the South City Three: “La La Blues”
Read more

Locomotive Boogie: Justin Townes Earle, “Harlem River Blues”

Son of a country outlaw, branded with the namesake of a songwriting legend, New York City via Nashville singer-songwriter Justin Townes Earle rambles in the same weater-beaten cowboy boots as his old man, Steve Earle and Townes Van Zandt.

Now, the prodigal son readies his third Bloodshot Records long player, Harlem River Blues - the follow-up to last year’s Midnight at the Movies. Earle’s inspiration: “I drove over the Harlem River one time and it was just the most desolate-looking thing I’d ever seen… it’s just the nastiest body of water you’ve ever seen in your life. And I guess it just kind of inspired me a little bit.”

The album burns out of the gate with the title track and eponymous single, “Harlem River Blues” – a track injected with sturdy juke-joint swagger and unmistakable life. With the Harlem River as its muse, this surefooted number kicks out a soulful, choir-backed jam with Earle’s wistful pleas for the dirty water of the Harlem: “Lord, I'm goin' uptown to the Harlem River to drown / Dirty water gonna cover me over and I'm not gonna make a sound,”

Harlem River Blues is out September 14th on Bloodshot Records.

“Harlem River Blues”
Written by: Justin Townes Earle

Lord, I'm goin' uptown to the Harlem River to drown
Dirty water gonna cover me over and I'm not gonna make a sound

I'm on a roll, mama, I gotta go, gotta get there while I still can
Troubled days are behind me now and I know they're gonna let me in
When you see me walkin' up the empty yard, just a-singin' and a-clappin' my hands
Tell my mama I love her, tell my father I tried, give my money to my baby to spend

'cause Lord, I'm goin' uptown to the Harlem River to drown
Dirty water gonna cover me over and I'm not gonna make a sound

Good times come and they go, even a good man'll break
He'll let his troubles bury him whole even though he knows what's at stake
So I'm taking no chances, carrying over while I'm still good in His grace
I'm no fool, mama, I know the difference between tempting and choosing my fate

'cause Lord, I'm goin' uptown to the Harlem River to drown
Dirty water gonna cover me over and I'm not gonna make a sound

Lord, I'm goin' uptown to the Harlem River to drown
Dirty water gonna cover me over and I'm not gonna make a sound

Lord, I'm goin' uptown to the Harlem River to drown
Dirty water gonna cover me over and I'm not gonna make a sound

Take Up Thy Rock 'N Roll Stethoscope and Walk,



Enjoy this single cc of JTE
MP3: Justin Townes Earle – “Harlem River Blues”

MORE PRESCRIPTIONS
Chuck Berry’s Motorvatin’ Pursuit of “Nadine”
Delta Spirit’s Kerosene Blaze, “Bushwick Blues”
Cookin’ with Captain Beefheart and His Magic Band: “Sure 'Nuff 'n Yes I Do" – One Fine Cut
Sing Along with Pokey LaFarge and the South City Three: “La La Blues”
Louie and The Lovers’ High Wire Romp, "Sittin’ By Your River"
Read more

Chuck Berry’s Motorvatin’ Pursuit of “Nadine”

Fifty-five years ago, armed with a cherry-colored ES-355, Saint Louis blues picker and former beautician, Chuck Berry aimed to conquer the world with his hip-shaking rock ‘n roll and smooth licks. Tracks like "Johnny B. Good," "Maybelline," "Sweet Little Sixteen," and "Rock and Roll Music" became standards. His fortune changed in 1959, when, while gigging in El Paso, Berry transported Janice Escalanti, a juvenile Native American lass, across state lines to Missouri for work as a hat check girl at his nightspot, Club Bandstand. Berry was tried twice and later sentenced to three years in jail.

While behind bars his popularity snowballed: his songs were being covered by The Beatles, The Rolling Stones were cutting their teeth on Berry and the Beach Boys made a note-by-note cover of the maestros "Sweet Little Sixteen" ["Surfin’ U.S.A"]. After his release in 1963 he resumed recording and touring. Chess released six singles between February 1964/March 1965, four of them "No Particular Place To Go," "Promised Land," "You Never Can Tell" and “Nadine” were penned in the Federal Medical Center and among his finest. Of those four cuts, the track that gets the doctors and nursemaids motorin’ is the rival to "Maybelline" and his first post-prison song - "Nadine" – an essential to do the duck walk and dance the frug to. Take note of the driving go-go beat, Berry’s frenzied public transportation pursuit and that renowned coffee-colored Cadillac.

“Nadine”
Written by: Chuck Berry
As I got on a city bus and found a vacant seat,
I thought I saw my future bride walkin' up the street,
I shouted to the driver, "Hey conductor, you must slow down.
I think I see her, please let me off the bus."

Nadine, honey, is that you?
Oh, Nadine, honey, is that you?
Seem like every time I see you,
Darlin' you got somethin' else to do.

I saw her from the corner when she turned and doubled back,
And started walkin toward a coffee-colored cadillac.
I was pushin' through the crowd tryin' to get to where she's at,
And I was campaign-shoutin' like a southern diplomat.

Nadine, honey, is that you?
Oh, Nadine, honey, where are you?
Seems like every time I catch up witcha,
You're up to somethin' new.

Downtown searchin' for her, lookin' all around.
Saw her gettin' in a yellow cab, headin' uptown.
I caught a loaded taxi, paid up everybody's tab.
Flipped a twenty-dollar bill an' told him, "Catch that yellow cab."

Nadine, honey, is that you?
Oh, Nadine, honey, is that you?
Seem like every time I catch up witcha,
You're up to somethin' new.

She moves around like a wayward summer breeze.
"Go, driver, go, go'on, catch her for me please."
Movin' thru the traffic like a mounted cavalier.
Leanin' out the taxi window tryin' to make her hear.

Nadine, honey, is that you?
Oh, Nadine, honey, is that you?
Seem like every time I see you,
Darlin' you up to somethin' new.

Take Up Thy Rock 'N Roll Stethoscope and Walk,



Enjoy this single cc of Chess 1883
MP3: Chuck Berry – “Nadine”

"If you wanted to give rock and roll another name, you might call it Chuck Berry,"
–John Lennon

MORE PRESCRIPTIONS
Delta Spirit’s Kerosene Blaze, “Bushwick Blues”
Cookin’ with Captain Beefheart and His Magic Band: “Sure 'Nuff 'n Yes I Do" – One Fine Cut
Sing Along with Pokey LaFarge and the South City Three: “La La Blues”
Louie and The Lovers’ High Wire Romp, "Sittin’ By Your River"
Glorious Rays of Kinky Sleaze on The Growlers’ “Something Someone Jr.”
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Delta Spirit’s Kerosene Blaze, “Bushwick Blues”

After trotting around the globe for 290 shows over the last two years, golden state four-piece Delta Spirit have managed to churn out their Sophomore long player, History From Below – a first-rate follow-up to their critically acclaimed debut, Ode To Sunshine. Front man Matthew Vasquez explains, “It’s been three years of straight touring off our last record so most of the songs were written in hotel rooms and tested in front of an audience. We spent six months of this last year making a record that sums up three years of growing up.”

Our rock ‘n roll stethoscopes have been swinging to the sweltering urgency of lead single “Bushwick Blues.” Laid down at Prairie Sun Studio C in Cotati, CA – the setting for an exorcism and a pair Tom Waits’ Grammy winning albums, “Bushwick Blues” drives like an air raid and takes flight like a runaway freight train. The cut crests at the tail-end with Vasquez’s lip-curling bark: “Because my love is strong / And my heart is weak after all.”

History From Below
is out now on Rounder Records

Check out the Kerri Kleiner produced and Banner Gwin directed video for “Bushwick Blues”



Take Up Thy Rock 'N Roll Stethoscope and Walk,



Enjoy this single cc of Delta Spirit
MP3: Delta Spirit – “Bushwick Blues”

MORE PRESCRIPTIONS
Cookin’ with Captain Beefheart and His Magic Band: “Sure 'Nuff 'n Yes I Do" – One Fine Cut
Sing Along with Pokey LaFarge and the South City Three: “La La Blues”
Louie and The Lovers’ High Wire Romp, "Sittin’ By Your River"
Glorious Rays of Kinky Sleaze on The Growlers’ “Something Someone Jr.”
Shootin’ and Lootin’: The Slickers, “Johnny Too Bad”
Read more

Cookin’ with Captain Beefheart and His Magic Band: “Sure 'Nuff 'n Yes I Do" – One Fine Cut

CAUTION: ELECTRICITY MAY BE HAZARDOUS TO HEALTH

Trout Mask Replica. Ice Cream For Crow. Shiny Beast. All are untamable, twisted sonic blasts, but the album that wins our rock ‘n roll stethoscopes over every single time is Captain Beefheart’s Buddah Records debut long player, Safe As Milk (1967).

Along with “Zig Zag Wanderer“ and “Electricity,” the track that we can’t get enough of is the distilled brew of warped delta mayhem, “Sure 'Nuff 'n Yes I Do" – a rousing lead-off track that capsizes Muddy Waters’ “Rollin’ and Tumblin,’ the blueprint for the cut. This full-blown assault is led by Captain (Don Van Vliet) Beefheart’s four-and-a-half octave guttural growl and backed by a rhythm section, led by then 20-year-old guitar wiz Ry Cooder that deploys a groundswell of busty knots and thundering menace: “Hey hey hey all you young girls wherever you're at / I got a brand new Cadillac I got a Ferrari too / Sure 'nuff baby sure 'nuff 'n yes I do,”

"Sure 'Nuff 'n Yes I Do"
Written by: Don Van Vliet

Well I was born in the desert came on up from New Orleans
Came up on a tornado sunlight in the sky
I went around all day with the moon sticking in my eye

Hey hey hey all you young girls wherever you're at
I got a brand new Cadillac I got a Ferrari too
Sure 'nuff baby sure 'nuff 'n yes I do

Got the time to teach ya' now, bet you'll learn some too
Got the time to teach ya' now, bet you'll learn some too
Sure 'nuff baby sure 'nuff 'n yes I do

Hey hey hey all you young girls whatever you do
Hey hey hey all you young girls whatever you do
Well come on by and see me I'll make it worth it to you

.....with me and I'll ..with me and you
Sleep with me and I'll sleep with me and you
Stick with me and I'll stick with me and you.




Take Up Thy Rock 'N Roll Stethoscope and Walk,



Enjoy this single cc of C.B.
MP3: Captain Beefheart and His Magic Band – “Sure 'Nuff 'n Yes I Do”

MORE PRESCRIPTIONS
Sing Along with Pokey LaFarge and the South City Three: “La La Blues”
Louie and The Lovers’ High Wire Romp, "Sittin’ By Your River"
Glorious Rays of Kinky Sleaze on The Growlers’ “Something Someone Jr.”
Shootin’ and Lootin’: The Slickers, “Johnny Too Bad”
Tame Impala’s Deep Space Trip: “Solitude Is Bliss”
Read more

Sing Along with Pokey LaFarge and the South City Three: “La La Blues”

Pokey Lafarge, a modern day balladeer in the truest sense, delivers his brand of deeply rooted dustbowl Appalachia-blues on his third offering--and Trade Root Music Group maiden voyage-- Riverboat Soul. Hailing from St. Louis, Mo, 27-year-old Mr. Lafarge and his dapper band of ragamuffins, the South City Three— Adam Hoskins, Joey Glynn and Ryan Koenig-- deliver a mighty fine collection of spirited takes that make the doctors and nursemaids feverishly hoot, holler, stomp our feet and clap our hands. Our favorite cut on Riverboat Soul comes in the form of “La La Blues”- a fistful of freewheeling ragtime, an oscillating groove and foot-tapping hook that shines brightly, a true cooker. Pokey exclaims: “One thing that’s happened is the new material is being written for a bigger sound with more vocals from my compadres, who all like to join in and make a joyful racket.”

Pokey Lafarge: Vocals, Guitar, Harmonica, Kazoo
Ryan “Churchmouse” Koenig: Washboard, Harmonica, Vocals
Adam “Boss Hoss” Hoskins: Guitar, Vocals
Joey Glynn: Upright Bass, Vocals



Take Up Thy Rock 'N Roll Stethoscope and Walk,



Enjoy this single cc of Pokey LaFarge and the South City Three

MP3: Pokey LaFarge and the South City Three –“La La Blues”

MORE PRESCRIPTIONS
Louie and The Lovers’ High Wire Romp, "Sittin’ By Your River"
Glorious Rays of Kinky Sleaze on The Growlers’ “Something Someone Jr.”
Shootin’ and Lootin’: The Slickers, “Johnny Too Bad”
Tame Impala’s Deep Space Trip: “Solitude Is Bliss”
Bob Dylan Plugs In; Folkies Howl in Disgust for “Maggie’s Farm” – 45th Anniversary Edition
Read more

Louie and The Lovers’ High Wire Romp, "Sittin’ By Your River"

Today we have an off-the-radar offering from Salinas California garage rockers, Louie and The Lovers—a Chicano four-piece fronted by Louie Ortega. Recorded in 1970 during one 18-hour session by Sir Douglass Quintet founder and Lonestar state legend, Doug Sahm, Rise is a treasure trove of top-notch ditties – one of great musical oversights by the audiophiles of the world. Why the release wasn’t a smashing success is shrouded in mystery.

Their debut long-player is filled to the brim with asylum approved tracks: “I Know You Know,” “Rise,” “Driver Go Slow,” “Royal Oakie,” but the cut the doctors and nursemaids are really taking to heart is the gripping rumble of “Sittin’ By Your River” - a swift stampede of winged fuzz and hard hitting buckshot wails: “Going to cast out my heart / going catch me a part of your soul.”

Louie and The Lovers:
Louie Ortega (singer/guitar)
Frank Paredes (guitar)
Steve Vargas (bassist)
Albert Parra (drums)

Take Up Thy Rock 'N Roll Stethoscope and Walk,



Enjoy this single cc of Louie and the Lovers

MP3: Louie and the Lovers –“Sittin’ By Your River”

MORE PRESCRIPTIONS
Glorious Rays of Kinky Sleaze on The Growlers’ “Something Someone Jr.”
Shootin’ and Lootin’: The Slickers, “Johnny Too Bad”
Tame Impala’s Deep Space Trip: “Solitude Is Bliss”
Bob Dylan Plugs In; Folkies Howl in Disgust for “Maggie’s Farm” – 45th Anniversary Edition
Danger Mouse and Sparklehorse Present an Exercise in Swirling Melancholy Madness on "Everytime I'm with You"
Read more